Kurt Vonnegut in August 2006, less than a year before his death. |
Here's a collection of obituaries and tributes to Vonnegut filed after his death in April 2007. You might want to read over a few prior to Thursday's class, when we'll try to sum up our work this quarter and find some basic lessons and ideas to take away from the nine novels we've read:
- The San Francisco Chronicle (an obit written many years before KV's death)
So it goes, and you go as well, from the confines of this class on to (I dare to hope) a life-long relationship with literature. There are two types of people over spring break: those who are glad not to have to look at books for the next several months and those who are excited to finally have the time and freedom to pursue their own reading interests. Despite having read so much Vonnegut over the past fifteen weeks, I'm eager to read more — Bluebeard, Breakfast of Champions, Hocus Pocus — and perhaps you are as well.
You might want to consider the short story collections as well. I did consider using Welcome to the Monkey House for this class, but my feeling was that a) it can be difficult for students to transition from the macro-scale of novels to the micro-scale of stories, and b) those stories are conceived more for popular audiences, so they're not quite as substantive as Vonnegut's other writing. If you're interested in some short attention span delights, however, there are several additional volumes, including Bagombo Snuff Box and the two posthumous editions published in recent years. What might be a better place to go are the volumes of essays, speeches, interviews, etc.: Wampeters, Foma and Granfalloons; Palm Sunday; Fates Worse than Death; or a particular favorite: A Man Without a Country.
You might want to consider the short story collections as well. I did consider using Welcome to the Monkey House for this class, but my feeling was that a) it can be difficult for students to transition from the macro-scale of novels to the micro-scale of stories, and b) those stories are conceived more for popular audiences, so they're not quite as substantive as Vonnegut's other writing. If you're interested in some short attention span delights, however, there are several additional volumes, including Bagombo Snuff Box and the two posthumous editions published in recent years. What might be a better place to go are the volumes of essays, speeches, interviews, etc.: Wampeters, Foma and Granfalloons; Palm Sunday; Fates Worse than Death; or a particular favorite: A Man Without a Country.
Also, since it's been such a good resource for us over the course of the semester you might want to take a look at Charles J. Shields wonderful biography, And So It Goes: Kurt Vonnegut — A Life. Be forewarned that while it's a fantastically thorough document of the author's life and times, and provides all sorts of useful background on Vonnegut, his family, his writing process and much more, it doesn't spare you from the full brunt of Vonnegut's personality, which is sometimes less than lovable. I think you're probably ready for that now, however.
No comments:
Post a Comment